Double Dragon is a lot of things. It’s an 80’s style beat-um-up. It’s one of the earliest examples of two-player co-op. It’s the most successful game ever released by the Taito Corporation. It’s a reason sibling-on-sibling violence increased in 1987, due to the ability to beat your own co-player (this may be a joke; maybe).
What it is not is a single title. This is not in reference to the sequels, but the original game itself. Originally an arcade title, DD has since been translated onto no less than twenty consoles and operating systems. Almost every single one of them—by the very nature of the platform’s limitations—looked and played much differently. The NES even changes the main antagonist and gets rid of the co-op. How can this possibly be considered the same game as the arcade version?
Remember how I said that I wanted to write about video game stories? It may not seem like Tetrisis the kind of game that I would gravitate towards, seeing as how there isn’t much of an arc to the stories of S-shape, I-shape, and L-shape. But sometimes the most compelling story isn’t the one in the game itself. It’s in the creation of the game, and the player’s experience of playing the game. Today I’d like to talk about two dreamers, who hoped big, got beaten down, but rose up, and eventually triumphed. The first is Alexey Pajitnov, the creator of Tetris, and the other is me.
Kirby’s Dream Land is not a difficult game. It’s not supposed to be. It is a basic platformer that uses the Game Boy’s limited output to its best abilities to teach the basics to gamers unfamiliar with gaming, handheld or otherwise. Your one weapon: the ability to suck up enemies and blow them back out. You must use two buttons, a d-pad, and reflexes to cross a surrealistic trip to save food from an anthropomorphic penguin king. It’s silly, but it’s fun.