This is why controls are so important to a title. Good controls remove one more barrier between a player and the gaming world. Bad controls take a player out of a game, like seeing a boom shadow in a film. The illusion is shattered. Frustration replaces aspiration. It takes time to learn the controls of a game, of course, but if the design sensibility matches the learning curve, the transition becomes seamless.
SimCity came about in a rather roundabout way. Will Wright, working on a completely different title, discovered that he had much more fun developing the level editors for the game than the game itself. Believing (rightly so, as it turns out) that others might share his interest in civic management, he eventually created a game that, though puny by today’s standards, is the grandfather of all city-simulation titles.
Thus, a franchise and a genre were born. Soon, gamers would be harnessing all kinds of zones, ordinances, and utilities to create masterpieces of design. Theme parks followed, as did hospitals, ski resorts, prisons, and even schools. The classic top-down look has been little changed since then, but other forms of expression changed the flow to keep things from getting stale. Where would we be without the disaster button, filling us with the power of Old Gods to rain down our displeasure on the unwary Sims of the cyber world?